
yesterday i saw two conch shells for sale on a table in greenpoint
also on the table were polish science fiction novels, a golden apple, and a broken typewriter
the man selling the things on the table is a polish man, a homelessness outreach worker
he has a passion for japanese culture and a particular passion for western culture as gazed upon and made sense of in japanese thought
he described to me a japanese book about boticelli
how much are the conch shells i asked him
look he said, first i must show you that this one is chipped here, here, and here
japanese people will only buy a shell if it is chipped he said let me explain to you why
do you want to know why
yes i said i want to know why
because it has been touched by life he said
and that is the only way it can be beautiful
he stood close to me as he talked, too close for the new world, close enough for the old world
but i sometimes don’t know if i am in the new or in the old world
i love to read said the man
i read many books
i decided this man is marvelous
and that he could stand too close to me
i felt restless but grateful bleeding through my tights thinking
this will be an old-fashioned transaction, a neighborhood experience
and a family one
a polish regiment deserted napoleon’s army and fought on the side of the haitians in haiti’s revolution
those poles went far far away to the right side of history
you can see pictures of their descendants, who in haiti are legendary, here
the conch is an emblem of haiti’s revolution
and january 1, 1804 is independence day
thus to buy a conch from a polish man in greenpoint
being myself descended from slaves who died in poland
was for me a touching thing though its logic doesn’t resolve into a knot or conclusion but whose rays rather are gathered in only to open again, their ends splaying out like a hand’s five fingers
blown as a horn, the conch was a call to assembly or a warning of danger
its sound’s the sound of a credo, too, like the sound of a shofar, say
is the sound that is to rouse the essence in the jew, so
the conch is a call for liberty meant to stir the pit of liberty in the essence of you
so i bought two conches from a polish admirer of japanese culture in celebration of haitian independence
yesterday
and although today i have a hangover
and
although the first call i and many of you heard and answered was an earthquake
and although the man who sold me the conches at a low price also made me a gift of a stuffed lamb
and although the creole word for conch is lambi
still today i feel that to write a single word is to cross a fault line or to put it another way
that to write a single word is to step on a crack as one of those obsessive compulsive people who won’t step on the cracks, who is terrified to step on the cracks
that although i feel that way um basically also
i love blogging with a hangover
it is my favorite thing to do with a computer
but let me say one last thing about cracks
this part is about greece
at delphi as some of you may know there was an oracle
and a great temple complex with buildings of all kinds
delphi is high in the mountains and like other places of spiritual and religious import
it exists on convulsive land
and was like leogane for example several times destroyed by earthquakes
there is a wall in delphi
i don’t remember at all from the day i was in delphi or the night either
this wall is called the polygonal wall
and it’s built of stones that are not square or rectangular
stones that interlock in such a way that in an earthquake they would only lock more tightly together
rather than topple the one upon the other
and for some reason across the cracks in this wall
the cracks between the polygonal stones of the polygonal wall at delphi
are inscribed the names of slaves
who had just won or been given or earned or achieved their freedom
(which, of course we agree, should have been theirs by virtue of their existence alone)
there is something about this
the writing of the name of the slave
who is no longer a slave
across the cracks in the wall
built to fall only more tightly against itself, to only gird itself more closely in the event of an earthquake
there is something about the mortar jews eat as haroset on passover
in order to commemorate our having built the pyramids as slaves
(although the pyramids were built without mortar)
there is something about writing itself that is what forges
the truth across every fissure and even the broken names, the broken pottery
the broken continents and broken promises across which we move
where the name of the slave who is no longer the slave is inscribed feels to me like
every real word any true writer ever wrote,
ever.
happy new year.
love
ariana

